My work occupies a transitional territory between memory and perception, where images appear not as fixed representations but as events—emerging, dissolving, and re-forming in real time.  These works are not conceived in advance; they are arrived at through an intuitive, performative process in which sensation, recollection, and material response unfold together.  What results is an image that resists completion, hovering between what is seen, what is remembered, and what can only be intuited.

Landscape operates within my practice as a site of psychological and emotional projection rather than geographic specificity.  The places that surface are unstable and indeterminate—echoes of remembered environments shaped by time, erosion, and affect.  They register as fleeting impressions or peripheral glances, where light, atmosphere, and spatial suggestion take precedence over descriptive detail.  In this way, the work mirrors the mechanics of memory itself: layered, fragmentary, and perpetually in the process of becoming.

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